Spice of Life

This image may look like a bizzarre Chat Roulette nightmare but it is in fact a publicity still for friend of Lord Tunley, Ben Wheatley's bleakly funny feature "Down Terrace" (that's me doing me acting bottom left).

The film is going great guns and has just received this glowing review in none other than proper Hollywood rag Variety.

I was once mentioned in Variety because of another film I acted in years back but they called me Careth Dunley or somesuch. Oh the glamour.

Tomorrow it's playing at the Flatpack festival in Birmingham.

For those of you reading this in the US (I know there's some of you from looking at the Google Analytics map thingummyjigwhotsit) the film is playing at New Directors/New Films at MoMA in New Yoik on the 29th and 30th.

Well done one and all!

Funny Farm

This is the reason why "Giant Robot vs Gerbil", my insane foray into 3d animation, is taking sooooo long (apart from my own amateurish blunderings that is).

Here are the 'render farms' (the place the geeky spods store and process all the 3d info) at Pixar and LucasFilm.





And here is the render farm at Lord Tunley manor:



Pity me.

Spooky

Location scouting/ camera tests with Josh Topp for this viral type thing we have planned.





That's Josh in the window btw not some random stranger, although I did get some funny looks from a police van at one point...



...thence to a dingy 'spoons pub for refreshment.

Attack of the Seven Foot Eyeless Gerbil

God this 3D animation lark really is misery cubed. Check out this tale of woe.

Design Rough Set: check!
Design Gerbil: check!
Put Gerbil into Rough set: che-arghh! WTF!



The Gerbil is now about 7 foot high and has NO EYES!

What gives? And why is there no "make Gerbil normal" button on my 3D programme?

Brothers

Another blast from the past. This time it's "Brothers", possibly my fave thing that I've directed ever, largely thanks to writer / stars Alex Kirk and Simon Messingham's wonderfully blackly poignant script.



The whole thing was produced by the brilliant Phil Gilbert, now one half of funny business purveyors The Sunday Defensive.

The spot on production design (on zero budget) was by old Lord Tunley oppo Joshua Topp. The beautiful photography was by DOP supremo Ben Pritchard.

Here's some exclusive access all areas behind the scenes photos of the shoot.





The tracking shot at the end was done in a wheelchair rigged by Mr Pritchard (seated) and pushed (jargon alert) by Mr Topp (standing). That's a Sony Z1 in a MovieTube rig fact fans.




A thin version of me takes a pic with some sort of futuristic mini camera.









Mr Kirk rehearses for the penultimate scene.

Ceci n'est pas une brick

But it might come in handy... for a thing...

The M16 And Me

That's the semi-automatic rifle not the motorway that became bit of the M25.


Acting can be Fun!