Heads up: it's a bit "odd".
We did all the keyed scenes in a bedroom in the Lamont's house which we (by which I mean mainly they and art director supremo Josh Topp) spent a day painting blue, as you can see from these exclusive, candid, access all areas behind the scenes shots...

Josh spent hours and hours building the train interior from bits and bobs (mostly from a Homebase as I recall) and was paid only in lager (actually he probably provided that himself as well). He did a fantastic job and it's a pity you don't see more of it in the film.

Dig the crazy strip lights gaffered to the wall. Health and safety my arse.

The whole thing cost about three hundred quid so Blair Witch eat your heart out.
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